Joachim Trier's characters have a habit of taking a scalpel to their psyche. The reason for the incision ranges -- a comment from a friend, a bad review, a breakup -- but once it's made, what starts as a keyhole operation can become open heart surgery and escalate into existential crisis. Not that the world is paying attention. Mostly life goes on and these characters find ways to sew themselves up, deriving strength in the knotty scar tissue that remains.
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